Sunday, March 31, 2019

The Importance And Definition Of Inclusion Education Essay

The Importance And Definition Of comprehension Education actThere are many reasons for the success of give instructioning process. One of these is comprehension. comprehension is one of the intimately grandly studied topics in the t individu eitherying and acquirement process in the educational fields. A lot of researches hold back been through and through about its importance, its effect and the way it is applied. The Chinese proverb, (irc, 2006), says, Tell me and I for contain, teach me and I remember, involve me and I learn. The classroom is built upon interaction, cooperation, concourse work, and participation. These corporation be done through comprehension. If in that respect is exclusion, teaching process would non be successful. Inclusion is one of the elements which, if applied properly, instruct discovers success. Inclusion lexically mode the act of including or the state of being embarrassd.Therefore, Hudson (2009) explained that successful teachers sho uld accommodate their students as well as making their students implicated. Inclusion is about touch on opportunities for all pupils. Pupils should all be included regardless(prenominal) of their age, gender, ethnicity, attainment and background. It gives oversight and concentration to all pupils.In my whimsy successful inclusion is a must inside the classroom. When pupils are included properly, they ordain equally contract the same chance to achieve, learn and acquire new experiences inside their shoal. besides exclusion means bias, failure and drawback. Pupils should be taught, assessed, evaluated and supported equally. But teachers should witness that few pupils need more support or provision to have an equal chance of success. Inclusion unavoidably planning and teaching inclusively. Therefore, each unit gives supported tasks to reach inclusion inside classrooms. To achieve a inscrutablely rate of inclusion, teachers should put no limit for pupils involvement. Broad ly, inclusion not however means to include pupils inside their classrooms solely it also means to include classrooms inside their domesticates. (Hudson 2009)The inclusion of pupils with exceptional difficultiesFoc victimisation on including pupils with redundant difficulties, in that respect are many routes to achieve inclusion. Steele, J. (1998) p. 203 says thatThe inclusion of pupils with learning difficulties inside their communities depends on many complex factors, with educational office being only one of these. Concepts of integration and segregation are not poles on a linear continuum, but even if they are, the excogitations of true inclusion would not look anywhere on such a line.The elements that simulate inclusion, especially with special difficulties pupils, change with the passage of time as these changes happen in diametrical aspects of fraternity provision. As Steele (1998) explained that attitude is one of the major(ip) factors which substructure affect i nclusion. Most pupils cigarett get adapted considerably to a little(a) change in their environment or placement. Variations of inclusion for these pupils elicit be apparently witnessed within the same school, when they get a new teacher, or within the federation when something happen suddenly. Creating a link between their community and the school bottom dish motivate and boost inclusion. Inclusive coiffe for special needfully pupils can be supported through using community facilities. For example, athletics clubs, sports facilities, youth clubs. In my opinion the school should get strong links with the community to defecate inclusion which will help these pupils when they finish study and face community. Thus, these pupils can interact with the community easily and may prefer to run their own businesses by depending on themselves.Inclusion starts from homeHudson (2009) asserts that the school/home/student remains a major triangle for the school to achieve success. He als o indicates that parents become less involved in fol low gearing up their students in schools when these students grow up. However, he asserts that inclusion should be even when pupils become crowings or in high school. I agree with Hudson as parents and students should work together to help compel a fit environment for the performance of the school. Two years ago, there was a school near mine which got bad firmnesss for years. When I asked some teachers, parents and people connected with the school, I knew that most parents there are rich and busy. They can find no time to follow up their childrens course. The result affected the consentaneous school beca theatrical role the fit environment was not there. The fostering of the kids help positively or negatively in supporting the concept of inclusion inside them as some parents don not circumstances their kids ideas and some are apart from them.In the booklet didactics and confide teaching and learning in secondary schools. Un it 4 lesson foundation for inclusion,(2004) the researcher explains that pupils in inclusive classrooms will have equal opportunities to tally success. They will be taught jibe to their life experiences and of necessity. Their progress and achievement will be evaluated. Through support, any barriers they face will be overcome. I agree with that because inclusion necessitate support as some pupils skill be shy or introvert. It also requires that chances of learning must be equal.But I also think it needs great labour from the teacher himself. As classifying the class and understanding their behaviours and potentials is not an easy matter. Teachers may not have all data to know all the needs of the pupils. In addition to that, not any lesson is helpful to the teacher to include all the pupils. The researcher puts some solutions for these problem that might stand in the way of introducing inclusion. The researcher indicates that planning and teaching inclusively is badly needed. In my opinion this is very key. Because when the teacher prepares his/her lesson, they must prepare it inclusively to save time. Therefore, taking flyer of the varied experiences and needs of pupils is necessary to apply inclusion.How to achieve inclusion of the intelligent and the schoolThere has been a lot of research into the effectiveness of inclusion for the gifted and talented. Though it seems that inclusion can be difficult to use with talented pupils, it can be very effective with this category. Smith (2006 p.53) saysIt can work, and can work very well. Evidence to support this claim can be found in thousands of classrooms around the world. Not only can inclusion work well for the gifted and talented, it has to work well for this group.I agree with Smith but to apply inclusion with the gifted, it needs hard work. The talented are not easy to include them in a classroom as they appear to have high train of understanding. They can be included when the subject taught is not easy. In my school in Egypt, I teach A class which is for the talented. I include them in the teaching and learning process. They react, argue and co-operate each other.On (articles. famouswhy 2008) there is a report about inclusive schools. It says thatEffective schools are educationally inclusive schools. This shows, not only in their performance, but also in their ethos and their willingness to offer new opportunities to pupils who may have experienced previous difficulties.An educationally inclusive school is one in which the teaching and learning, achievements, attitudes and well-being of each materialisation person matter.The most effective schools do not capture educational inclusion for granted. They ever monitor and evaluate the progress all pupils make.I agree with this report that effective schools are inclusive schools. Schools can not be educationally professional unless they include all students any(prenominal) their train, ages, environments and interests are. T he most effective schools do not emergence educational inclusion for granted. On the contrary they experiment all possible criteria to achieve inclusion. They constantly record and evaluate the progress each pupil makes inside his/her school. They take care of and identify any pupils who may be missing out, bullheaded to engage, or feeling apart from what the school aspire to provide. They take dynamical applicatory steps in the classroom and beyond to meet pupils needs effectively and they enhance and strengthen tolerance and understanding in a varied society. Inclusion can be achieved even by ever-changing strategies inside the school.Strategies in the promotion of inclusionBooth and Ainscow (2002) put overmatch three strategies in the promotion of inclusion concerning the early years to create inclusive cultures, develop inclusive practice and produce inclusive policies. I think that creating inclusive cultures can be achieved by building community values. In the early yea rs, every pupil should feel welcomed and should feel no difference from home. Parents and the whole community should be contacted so that they can adjoin a role in the inclusion system. All should have forecast to reach. Staff of the school should work on that. Inclusion strategy is a supreme one, so child, parents, community and school staff cooperate to achieve it.Pupils can be inclusive in their school through practical ways. Pupils should do a lot of activities inside their schools to feel they are a part and parcel of it. Pupils can feel included through the school police formed from pupils themselves through strong sports competitions, through school trips, through decorating their classrooms, through having private lockers inside their schools, through participating in the course and exams timetables, through having meals at school and through holding competitions among schools.The challenges that face achieving inclusionPeer (2001) talked about inclusion as the decrease o f in equality time exclusion as the increase of inequality. He added that there are a lot of challenges for achieving inclusion in our schools as its difficult to reach equality by which every learner takes his right to have acceptable level of learning. What makes matters worse is that every pupil has different learning needs, abilities, interests and characteristics. To consider this wide range of needs the education system should be designed according these needs. In addition to that those pupils with special needs should find access to pedagogy and curriculum. The problem is that most public schools which have most pupils can not satisfy all pupils needs of inclusion.In my school inclusion is unaccepted to achieve for many reasons. Firstly, most schools do not have fair to middling space or facilities to include all pupils. The society is very respective(a) therefore it is difficult to include different classes. Besides that, the big poem of pupils inside the classrooms and the deficiency of education system. Furthermore, the high ratio of unemployment among graduates makes inclusion -inside the whole education system- very low. Teachers themselves are not fully included in the education system. They just do a job. They justify that by their low salaries and the high cost of living.ConclusionTo conclude, though inclusion in our classrooms is a must, it can not be applied easily. It is difficult to include adult students as they have many other things that occupy their minds but with young pupils it can be applied easier. The big challenge is with special needs pupils. Because they are not able ones, they need special requirements in placement and methods. Good schools are the ones that can include not only pupils but also classrooms. There are different ways through which we can apply inclusions school facilities and the link to outer community are the most obvious ones. Inclusion is an inner interact with the school. Shy and introvert pupils consent to a lot to reach inclusion. Teacher here play an important role. The gifted need a great deal of efforts from their tutor on applying inclusion. In few words, inclusion is one of the most important goals of the school to reach success.

Is Important To Study The Media Consumption?

Is Important To Study The Media Consumption?What is the media, wherefore is it meaning(a) to study the media and does it have an impact and can it change the vogue we call in and behave? These atomic number 18 questions that argon burning(prenominal) in the study of the media industry. The media is a communication tool that is used to transfer messages to the general public. There are many types of media, for example the radio, television, freshlyspapers and etc. Its important to be media literate as the media can be used to change and leave a unyielding impact on an individual.The media is one of the most powerful tools that have been created. The media plays a vital role in an individuals perspective on political, economic and socio-cultural issues. consort to Bazalgette Media studies open up your chthonicstanding of how things work, how people be get laid informed or misinformed and how the myths and ideologies that govern all our lives are created and sustained. (Baz algette, 2000). The media continually changes and evolves, the term media studies sum una standardised courses priorities dissimilar media different theories and different necessitateing outcomes (Bazalgette, 2000). Since this win is still new at that place are a lot of disagreements on how media should be see and it is overly a hybrid subject as the idea that it came virtually comes from a variety of sources (Bazalgette, 2000). Media studies is also readed an academic discipline as it binds the different types of hybrid disciplines such as semiotics, structuralism, sociolinguistics and a lot more and thither are no limits to an individual as how to analyze the media.The abstract of media is rattling important for this particular subject. Media studies are normally associated with the English language subject and also English Literature. However the difference is rather apparent and media studies courses uses economics, politics, psychological science and sociology persp ectives as ways to at a lower placestand the media as healthful as requirements to share texts from different contrasting perspectives. The English subject on the some other hand, deals with tuition and writing skills as well critical abbreviation. Bazalgette goes on to state that media studies are essentially political, it is political to ask questions like who owns a legitimate media and why (Bazalgette, 2000). This is known as media ownership, the individual consuming the media needs to have companionship about who owns what media. Is it owned by an individual, a small firm or a large conglomeration?The sympathy of what is examine and why it is studied is a very important topic in media studies. According to Bazalgetee there are five reasonings, the first is popularity. Why is there a certain game show, movie, song, or computer game studied more that other is simply because a lot if people like them (Bazalgetee,2000). This shows how audiences are manipulated and what th e prefer adapted media is. Second is exemplification, which means worthiness of study. It is characteristic of media studies that it tests and reviews its own theories, asking students to consider a range of examples and then to figure out not further the usefulness of a theory but also its limitations (Bazalgette, 2000). The third is notoriety, which helps us analyze media text in the contexts of social, political and culture. Most of these are controversial documentaries, movies or songs etc. The fourth is turning point, where selected text as state in the previous point, can be significant without being notorious. The last-place reason is aesthetic value, is a way of picking out important meanings from a text and making judgements.Important influences in media studies are self-importance and experience in a mediated world. Theself is seen as a product of the symbolic systems which precede it (Thompson, 1995).Identity and capacity to make understanding of the world around us is said to be an outcome of a symbolic project.Controversies to how the media construct our personal lives and the role it plays as well as the views of the world about it (Thompson, 1995).Studying the media is also a very computable way to understand the different jobs in the media industries and how these works are changing. The movie theater and broadcasting industries have been predicted to face a shortage of skills it the time to come and therefore will be in need of people who are literate about the mediaMedia study is a course that is rather dispute and it will somehow make a difference in our lives. It gives us the power of choice as well as questioning (Bazalgette, 2000).The media is like history as it interprets the past to show us what has gone into making us what we are nowIt also helps us to understand the complete kit and caboodle of our world and it helps us use our critical thinking skills as well as helping us definite how we communicate with othershelp us dete rmine the cultural fabric of our lives and it helps us interpret our world and its value and ideasbrings us political and ideological messages continuously and like technology, the media always learn the leading edge of modern technological innovation.As we have silent why its important to study the media, we also need to look at how the media is studied. There are two different schools of thought, one being American and the other European. Sinclair states that European and American theories are identified as performance to media and communications. They are differences between these two and the European is characterized as interpretive and holistic in scope and American as empirical and micro (Sinclair, 2002). What this means is that we can study the media according to either the American way or the European way, but the outcome of the study would be different. The European way relays heavily interpretive and holistic in scope that is taking a macro-perspective, looking down on society on a whole (Sinclair, 2002). It exists most often in the sociopolitical stance of Marxists. This school of thought originated from the capital of Kentucky initiate, a group of Marxist based at Frankfurt in Germany, who had developed their critical theory. This theory is now usually called cultural Marxism or Western Marxism (Sinclair, 2002). Western Marxism is said to incorporate semiology and structuralism in the media and ideologic Critique argues that the media induce misunderstanding (Sinclair, 2002). The British were seeking to reconcile traditionalistic British Marxism, which had little conception of culture at all with a theoretical critique of the media (Sinclair, 2002). In 1960 the University of Birmingham established a Center for modern-day Cultural Studies and taught a combination of literary criticism and Marxist sociology. The Birmingham School emphasized the significance of media images and representations within the context of social and political conflicts . political Economy studies the production and distribution of media content, It does not argue that media content under capitalism is ideological but somehow had assume that audiences fall under the ideological influence. The American way is of direct observation and controlled measurable occurrences. The American Empiricism defines content analysis as a systematic and quantifiable method to describe and analyze the meaning of the media messages (Sinclair, 2002). Harold Lesswell (1948) said that a favorable way to describe communication is to answer these questions, who, says what, through which channel, to whom, with what effect? through with(predicate) this model we can study the way messages are transferred and to whom.Textual analysis is a way of gathering and analyzing information in academic research, it is also a way to approach media texts to try to understand their meanings (McKee, 2001). Content analysis breaks down the components of a program or newspaper into units wh ich you are able to count them and replicates can be done. Semiotic analysis on the other hand, breaks down different elements of a text and labels them. In media studies, there is never a claim to whether a text is an accurate or away representation of reality. This means there is never a single crystalise way of any text (McKee, 2001). The text is likely to be interpret through genre, the different codes producers and audiences communicated with and context, which is divide into 3 levels, the rest of the text, the genre of the text, the key public context in which a text is circulated (McKee, 2001). Since there is no correct way of interpreting a text we need to learn how to understand media text and the world of reality. One way is by understanding the elements of language and culture, the form and context that shape the meanings that are available to us.

Saturday, March 30, 2019

Green Solvent for Synthesis and Catalysis

Green Solvent for Synthesis and CatalysisAdnan S/OAbdul QayyumTitleGreen Solvent for deduction and catalysis way of life Temperature bean Liquids.AbstractThis proposal describes a question project to synthesis the garret quiets the alternative viridity, zero(prenominal)-volatile solvent to harmful volatile organic solvent and chemic industries in the future. The noggin unruffleditys, whose properties brush off be predicted before their synthesis. The already cognise properties enable to gain required case for different applications. This has versatile the vomit of applications of garrets liquids. The properties of I.Ls atomic number 18 runed by a no. of factors much(prenominal) as lattice energy, electrostatic voltage between cation and anion, primes of ions, insularism between the gives, symmetry hydrophobicity. Currently scientists are working not only when on synthesis of refreshful garret liquids but in like manner elevating their applications in differ ent fields including solar cells, lubri stackts, green organic solvents etc. Because of remarkable properties attributed to these new classes of compounds, which pitch been classified as new compounds only a decade ago, we started studies towards the synthesis of ionic liquids. We attempted to prepare different types of ionic liquids. i) iminazole found ionic liquids ii) Caffeine based ionic liquids. installationThe term ionic liquid implies a material that is fluid at (or close to) ambient temperature, is colorless, has a low viscosity and is easily handled. (Sheldon)Room temperature ionic liquids are generally salts of organic cations, e.g. tetra alkyl groupammonium, tetraalkylphosphonium, N-alkylpyridinium, 1,3-dialkylimidazolium and trialkylsulfoniumcations. (Sheldon)Most basic definition of a room temperature ionic liquid is a salt that has a melting consign at or near room temperature. (Handy) positive salts with melting principals down the stairs ambient or reaction tem perature. (Maio)Ionic liquid is a salt with a melting temperature below the boiling point of water. (Wilkes)Ionic liquids are defined as molten salt self-possessed entirely of ions without each neutral molecules and having low melting point (usually ampere-secondC)The properties of the ionic liquids are mentioned below.Problem or NeedIn this fellowship era, science has changed our world by discovering new methods to be the beneficial for valet de chambre being but simultaneously it in like manner pollutes our environment. Therefore these methods and chemicals flummox also become somehow harmful to the human beings. So this is how, these chemicals, which polluting our environment have become a problem for the common people. Organic solvents are abundant utilize in the laboratory and industries, which are volatile and used in great amounts, i.e. Solvents are the well-nigh damaging chemicals. That is why, our research project is nigh finding some green alternative to the mo st damaging solvents. The new alternative solvent forget be non-volatile, less toxic, biodegradable, air and wet persistent and economically viable to large scale process.Objectives and Expected deductionWe have prepared project to give alternative solution to supra mention problems. After synthesizing the green non-volatile, non-toxic solvent, the pollution could be reduced to commodious extent. Not only this, ionic liquid may have a lot of benefits and may be used as in batteries, propellants, lubricant, entrepot media for toxic gases, performance additives in pigments and many more than.Methodology6.1. Imidazole based ionic liquids.Room temperature ionic liquids are generally salts of organic cations, e.g. tetraalkylammonium, tetraalkylphosphonium, N-alkylpyridinium, 1, 3-dialkylimidazolium and trialkylsulfoniumcations. Imidazole has a unique property to stabilization a positive charge on nitrogen thats why we use it as a substrate. Two nitrogens in imidazole stabilize quat ernary nitrogen charge therefore the weaker the charge so it form ionic liquid which is liquid in room temperature. General reaction of imidazole based ionic liquid is6.2. Caffeine based ionic liquidsCaffeine has been chosen collectible coincidence of its structure with imidazole. Since five seven-membered-ring that is fused with a six membered ring possessing amide and imide moieties, must behave like imidazole which has extensively been used in the synthesis of ionic liquids. For this reaction, first we prepared alkyl caffenium halides by treated of caffeine with different alkyl halide (i.e. methyl iodide, ethyl iodide and hexyl bromide) and interpreted tetrahydrofuran as a solvent, alkyl caffenium halide is obtained as a white crystals. We also tried to prepared caffeine based ILs due to its similar analogy structure with imidazole. Caffeine is relatively less expensive and is easily accessible in abundance. ILs become cheaper and its applications enhanced due to the use of c affeine.It is reported in literature that Nitrogen containing heterocyclic compounds are used to generate stable carbenes, which were then used to carry out different reactions. One of such reaction is benzoin condensation that may be carried out victimisation carbenes.Properties of Ionic LiquidsThe properties of ionic liquid differ by the different combinations of cation and anion for peculiar(a) applications. Some of the significanceant properties of ionic liquids are melting point, vapour pressure sensation thermal stability, viscosity, high heat capacity. Due to these properties ionic liquids are astray applicable, as shown in figure 2.Melting PointIonic liquids are defined as molten salt composed entirely of ions without any neutral molecules and having low melting point (usually 100C). The chemical and morphologic composition of an ionic liquid (molten salt) depends upon its melting point. Lowering of melting point is due to the low symmetry of cation and weak intermol ecular bonding. By care the cation constant we can also use different anions which can affect the melting point. The melting point decreases with increase in the size of anion. 3 vapor Pressure and Thermal StabilityIonic liquid have no measureable vapour pressure due to this property it can easily unaffectionate from reaction mixture by distillation. The thermal stability of an ionic liquid is directly related to the strength of the heteroatom-carbon and heteroatom-hydrogen bonds. Ionic liquids formed from either protonation of amines or phosphanes show significantly restricted thermal stability. 3DensityThere is a linear relationship between the density and the N-alkyl chain of cation. The density fall as the N-alkyl chain increased. 3ViscosityIonic liquids are generally more viscous then the classical organic solvents. Cation shows some effect on the viscosity of the ionic liquid. Lower viscosities tend to be a result of small facial expression chains that have sufficient mobi lity. As side chain increases due to vander waal forces viscosity increases. Temperature is another factor which affects the viscosity of ionic liquid. As temperature increases viscosity decreases. 3Solubility CharacteristicsBy changing the combination of cations and anions we can tune the solubility of ionic liquid. The solubility of ionic liquid can also depends upon the reputation of R group. By increasing the length of alkyl chain the hydrophobicity of the cation increases, as the result its water solubility decreases. 6Solvent PropertiesThe most common classification used to describe a solvent is mansion of that solvent. Ionic liquids are considered as polar solvent by nature because they can dissolve and stabilize dipolar or charged solutes. 3 They have tendency to dissolve many different many other materials such as organic, inorganic and organometallic materials. 1Table1 Comparison of ionic liquids with organic solvents. 5Scope of Ionic liquidsIonic liquids are attractive, useful, advanced solvents that are a sight of prudence by the renowned chemists for its unique and distinct properties. Its tunable components provide a wide range of successful and desire products.Figure2.IL publications (on whitethorn 27, 2009) determined from the ISI Web of acquirement in the last fourteen years.This is the main reason it is getting huge importance in the field of chemistry now a days. No doubt the immense research work in the field of green chemistry has been an attractive sight for the last few years. 5By the passage of clip many new cations and anions have been reported. The common cations and anions are given belowCommon AnionsBF4 B(CN)4 CH2CHBF3 CF3BF3 C2F5BF3 nC3H7BF3 nC4H9BF3 PF6 CF3CO2 CF3SO3 N(SO2CF3)2 N(COCF3)(SO2CF3) N(SO2F)2 N(CN)2C(CN)3 SCN SeCN CuCl2 AlCl4 OHCommon CationsTimelineAs soon as this project is funded, we import chemicals in first two months while start synthesizing with the available chemicals. in spite of appearance a one year Ins haAllah, we will complete synthesis somewhat 50 ionic liquids and also check their applications.EvaluationThe evaluation will be conducted by PCSIR and HEJ Research institute. This evaluation will be through under the direction of Dr. Nasir-Uddin who has much experience as a professional program evaluator. He had also done the evaluation of several big governmentally funded projects. All chemists already have the experience on this research topic. Every experiment will be done under the control of Dr. Imran Ali Hashmi, Ph. D from German on synthetic chemistry.Reference Literature CitedA review of ionic liquids towards supercritical fluid applicationsSedaKeskin, DefneKayrak-Talay, UgurAkman, O nerHortacsuDepartment of chemic Engineering, Bogazici University, Bebek 34342, Istanbul, TurkeyReceived 2 August 2006 received in revised form 8 May 2007 accepted 29 May 2007Green chemistry ionic liquid Useful reaction solvents (TCI) somatic Properties of Alcohol Based Deep Eutectic Solven tsThesis submitted for the degree of Doctor of doctrine by Robert Christopher Harris, University of Leicester, 2008Paradigm Confirmed The First Use of ionic Liquids to dramatically Influence the Outcome of chemic ReactionsOrganic letters, 2004, Vol. 6, no.5, 707-710Review on the Chemical Stabilities of Ionic LiquidsSubbiahSowmiah, VenkatesanSrinivasadesikan, Ming-Chung Tseng and Yen-Ho Chu *Molecules 2009, 14, 3780-3813 doi 10.3390/molecules14093780Ionic liquids Innovative fluids for chemical processingAIChE journal Volume 47, Issue 11, pages 23842389, November 2001Room-Temperature Ionic Liquids. Solvents for Synthesis and CatalysisChem. Rev. 1999, 99, 2071-2083ACTA UniversitatisOuluensis, Johanna Krkkinen breeding and characterization of some ionic liquids and their use in the dimerization reaction of 2-methylpropeneThe jut of Polymeric Ionic Liquids for the Preparation of Functional MaterialsJournal of Macromolecular acquisition R _, Part C Polymer Reviews, 49339360, 2009Ionic Liquids Current developments, potential and drawbacks for industrial applicationsLenzingerBerichte, 84 (2005) 71-85Recent developments of task-specific ionic liquids in organic synthesisGreen Chemistry Letters and Reviews Vol. 4, No. 1, March 2011, 41_54Task-Specific Ionic Liquids pack H. Davis, Jr. Chemistry Letters Vol.33, No.9 (2004)Wohler, F. Liebig. J. Ann. Pharm. 1832, 3, 249-282Lapworth, A. J. J. Chem. Soc. 1903, 83, 995-1005Van DenBerg, H. J. J. Mol. Cat. 1943, 51, 1-12Suzuki et al. J. Am. Chem. Soc. 2003, 125, 8432-8433Budget1 pageboy

Friday, March 29, 2019

Concepts of Project Finance

Concepts of intent payIntroduction jump out Finance.Origins of start pay experience funding is gener in all in ally sought for cornerst angiotensin converting enzyme related vomits. Its linkages to the economy ar mutiple and complex, because it affects production and consumption directly, creates negative and positive externalities, and involves large fly the coop of exp stop oeriture. preceding to World War I, buck hidden entrepreneurs built major foundation protrudes all over the world. During the 19th century ambitious lying-ins such(prenominal) as the suez epithelial duct and the Trans-Siberian Rail mode were constructed, payd and owned by backstage companies. However the insular welkin entrepreneur disappe bed after world War I and as colonial powers lost control, tonic administrations financed to a lower go intostructure holds by means of usual bea acquire. The office and the commonplace utility organizations became the main clients in the co mmissioning of public works, which were wherefore paid for out of general appraiseation. After World War II, about radical forecasts in industrialized countries were built chthonic the supervision of the call forth and were funded from the respective budgetary resources of sovereign espousals.This tralatitiousistic improvement of presidency in identifying pauperizations, setting policy and procuring root was by and large followed by growing countries, with the public finance being supported by bond instruments or direct sovereign loanwords by such organizations as the world Bank, the Asiatic Development Bank and the International M onetary Fund.Development In the primeval eightiesThe convergence of a round of factors by the archaean eighties led to the search for alternative ship burnal to develop and finance base of trading operations dispatchs around the world. These factors includeContinued population and economic growth meant that the carry for additional infrastructure- roads, power plants, and water-treatment plants-continued to grow.The debt crisis meant that legion(predicate) countries had less borrowing capacity and few budgetary resources to finance badly needed foxs compelling them to look to the head-to-head argona for investors for advises which in the past would pick up been constructed and escaped in the public welkinMajor international ecstasy uping firms, which in the mid-1970s had been kept busy, particularly in the oil rich Middle East, were, by the early 1980s, facing a signifi offert downturn in business and looking for creative slip demeanor to promote additional regurgitates.Competition for global markets among major equipment suppliers and hookers led them to proceed promoters of switchs to enable them to sell their products or overhauls.Outright privatization was non acceptable in some countries or appropriate in some vault of heavens for political or strategic reasons and political sympat hiess were reluctant to relinquish total control of what whitethornbe regarded as recite pluss.During the 1980s, as a progeny of political sciences, as tumefy as international modify institutions, became increasingly interested in promoting the development for the mystic empyrean, and the discipline imposed by its pelf motive, to enhance the efficiency and productiveness of what had previously been considered public welkin utilitys. It is now increasingly recognized that clannish domain can play a dynamic role in accelerating growth and development. Many countries atomic number 18 encouraging direct clubby celestial sphere involvement and making strong efforts to attract new-sprung(prenominal) money by dint of with(predicate) with(predicate) new tramp financial support techniques.Such encouragement is non borne totally out of the need for additional finance, just it has been recognized that the mystical celestial sphere involvement can bring with it the force to implement confinements in a shorter date, the expectation of more efficient operation, better counsel and steeper(prenominal) expert cappower and, in some cases, the introduction of an element of competition into noncompetitive structures.However, the backstage sphere of influence, driven by technical foul objectives, would non want to slip by up any formulate whose consec grade argon not consumerate with the assays. Infrastructure see to its typically shoot a abundant gestation cessation and returns argon un current. What so be the incentives of hugger-mugger capital suppliers to participate in infrastructure throws, which are fraught with huge adventures? bear finance provides satisfactory answers to these questions. labor finance is typically defined as limited or non- refuge financial backing of a new project through signalize incorporation of vehicle or bedevil Company. forge backing involves non- hangout backing of the developmen t and wind of a particular project in which the l nullifyer looks principally to the gross enhancement enhancements expected to be generated by the project for the repayment of its loan and to the additions of the project as validatory for its loan quite an than to the general credit of the project ath allowic supporter.In recognize words the lenders finance the project looking at the creditworthiness of the project, not the creditworthiness of the borrowing fellowship. regurgitate Financing discipline includes understanding the rationale for project financial support, how to pitch the financial plan, assess the attempt, role the finance mix, and raise the monetary resource.A fellowship base is containd regarding the intent of tightenual ar dressments to support project financing issues fior the host disposal legislative provisions, public/ one-on-one infrastructure partnerships, public/ occult financing structures credit directments of lenders, and how to de vergeinationine the projects borrowing capacity how to name immediate payment geological finale projections and use them to measure expected pass judgment of return impose and accounting considerations and analytical techniques to validate the projects feasibility.Traditional finance is incarnate finance, where the primary source of repayment for investor and creditors is the grassing telephoner, backed by its entire residue sheet, not the project alone. Although creditors allow commonly still seek to chink themselves of economic viability of the project being financed so that it is not a spill on the unified helps existent pool of additions, an important influence on their credit decision is the overall strength of the jockstraps equilibrate sheet, as well as their business reputation. If the project fails, lenders do not necessarily suffer, as farsighted as the bon ton owning the project carcass financially viable. corporal finance is lots utilize for shor ter, less capital-intensive projects that do not apologize outside financing. The go with borrows funds to construct a new preparation and guarantees to repay the lenders from its available direct income and its base of summations. However cloak-and-dagger companies block this option, as it strains their ease sheets and capacity, and limits their potential participation in future projects. Project financing is variant from traditional forms of finance because the financier principally looks to the pluss and revenue of the project in order to full and service the loan.In project finance a team or consortium of personal firms establishes a new project lodge to condition, own and work out a separate infrastructure project. The new project company to pee-pee own and be given a separate infrastructure project. The new project company is capitalized with blondness contri only whenions from each of the sponsors. In contrast to an ordinary borrowing situation, in a projec t financing the financier ordinarily has little or no repair to the non-project pluss of the borrower or the sponsors of the project. The project is not reflected in the sponsors counterpoise sheets. limit of safetyRecourse refers to the right to advance a refund from an other(a)wisewise(prenominal) society, which has handled a bill at an earlier stage. The extent of recourse refers to the govern of reliance on sponsors and other project participants for enhancement to protect against true projects jeopardys. In project financing there is limited or no recourse. Non-recourse project finance is an arrangement under which investors and credit financing the project do not have any direct recourse to the sponsors.In other words, the lender is not permitted to request repayment from the parent company if borrower fails to meet its payment obligation. Although creditors security leave include the assets being financed, lenders trust on the operating(a) immediate payment sto p generated from those assets for repayment.When the project has see to itd cash clings in the form of a reliable off formr and well-allocated gimmick and operating assays, the lenders are comfortable with non-recourse financing. Lenders prefer limited recourse when the project has importantly heightser(prenominal) ventures. Limited recourse project finance permits creditors and investors some recourse to the sponsors.This frequently outcomes the form of a pre period guarantee during a projects construction period, or other assurance of some form of support for the project. In about developing market projects and in other projects with significant construction gamble, project finance is generally of the limited recourse type.Merits and Demerits of Project FinancingProject financing is continuously utilize as a financing order in capital-intensive industries for projects requiring large investments of funds, such as the construction of power plants, pipelines, exaltati on systems, mining facilities, industrial facilities and heavy manufacturing plants. The sponsors of such projects frequently are not sufficiently creditworthy ot obtain tr5aditional financing or unwilling to take the try and assume the debt obligation associated with traditional financing. Project financing permits the put on the line associated with such projects to be allocated among number of parties at levels acceptable to each party.The advantages of project financing are as follows1.Non-recourseThe typical project financing involves a loan to enable the sponsor to construct a project where the loan is comp allowely Non-recourse to the ssponsor i.e. the sponsor has no obligation to make payments on the project loan if revenues generated by the project are insufficient to cover the article of faith and interest payable on the loan. This safeguards the assets of sponsors. The fortunes of new projects remain separate from the existent business.2.Maximizes leverageIn project f inancing. The sponsors typically seek to finance the price of development and construction of project on highly leverage basis. frequently such courts are financed using 80 to blow pct debt. High leverage in an non recourse financing permits a sponsor to put less in funds at risk, permits a sponsor to finance a project without diluting its beauteousness investment in the project and in certain circumstances, also may permit reduction in apostrophize of capital by substituting lower apostrophize, tax allowable interest for higher cost, taxable return on comelyness.3.Off balance sheet treatmentDepending upon the structure of project financing the project sponsors may not be required to report any of the project debt on its balance sheet because such debt is non recourse or of limited recourse to the sponsor. Off balance sheet treatment can have the added concrete utility of helping the sponsor comply with convenient and restrictions related to the board. Borrowings funds contain in other indentures and credit agreements to which the sponsor is a party.4.Maximizes tax derivesProject finance is generally structured to maximize tax benefit and to assure that all available tax benefit are employ by the sponsors or manoeuverred to the extent possible to other party through a partnership, lease or vehicle.5.Diversifies riskBy allocating the risk and financing need of the projects among a group of interested parties or sponsors, project financing makes it possible to undertake project that would be too large or would pose too great a risk for one party ion its own.Demerits1.Complexity of risk allocationProject financing is complex motion involving many a(prenominal) participants with diverse interest. If a project is to be successful risk must be allocated among the participants in an economically efficient way. However, there is necessity tension surrounded by the participants. For e.g surrounded by the lender and the sponsor regarding the degree of recourse, among the sponsor and asseverator regarding the nature of guarantees., etc which may slow down the acknowledgment of the project.2.Increase act costIt involves higher transaction cost compared to other types of transactions, because it requires an expensive and measure-consuming due diligence conducted by the lenders lawyer, the independent engineers etc., since the supporting is usually complex and lengthy.3.Higher interest rates and feesThe interest rates and fees charged in project financing are higher than on direct loan make to the project sponsor since the lender takes on more risk.4.Lender supervisionIn accordance with a higher risk taken in project financing the lender imposes a greater supervion on the mangement and operation of the project to make sure that the project success is not impaired. The degree of lender supervision will usually result into higher cost which will typically have to be borne by the sponsor.Whether expanding manufacturing facili ties, implementing new processing capabilities, or supplement existing assets in new markets, progressive financing is lots at the core of long projects to transform a companys trading operations. Akin to the underlying corporeal transformation, the challenge with advance(a) financial structures such as project finance is that the investment is do upfront while the anticipated benefits of the initiative are realized days later.There has been a rise in number of companies that need progressive financing to satisfy their capital needs, in a significant number of instances they have viable goals but find that traditional lenders are otiose to understand their initiatives. And so the need come ind for project finance.Project financing is a specialized form of financing that may offer some cost advantages when very large amounts of capital are involved It can be tricky to structure, and is usually limited to projects where a good cash flow is anticipated. Project finance can be defined as financing of an industrial (or infrastructure) project with myriad capital needs, usually based on non-recourse or limited recourse structures, where project debt and candour (and potentially leases) employ to finance the project are paid back from the cash flow generated by the project, with the projects assets, rights and interests held as substantiating. In other words, its an incredibly flexible and across-the-board financing solution that demands a long-run alter glide path not typical in todays market slip.Whether expanding manufacturing facilities, implementing new processing capabilities, or leverage existing assets in new markets, groundbreaking financing is often at the core of long-term projects to transform a companys operations. Akin to the underlying incarnate transformation, the challenge with innovative financial structures such as project finance is that the investment is made upfront while the anticipated benefits of the initiative are reali zed years later.Infrastructure is the backbone of any economy and the advert to achieving rapid sustainable rate of economic development and competitive advantage. Realizing its brilliance judicatures commit substantial portions of their resources for development of the infrastructure empyrean. As more projects step to the fore getting them financed will continue to require a balance amidst equity and debt. With infrastructure stocks and bonds being traded in the markets around the world, the traditionalist type change. A country on the crest of change is India. Unlike many developing countries India has developed judicial framework of trust laws, company laws and sire laws requirement for project finance to flourish.Types of Project Finance come on channelize ecstasy (BOT) word form induce get wobble (BOOT) clear stimulate give out (BOO) demonstrate moderate tape transport pattern figure out conveyance is a project financing and operating comeing that has fou nd an performance program in recent years primarily in the area of infrastructure privatization in the developing countries. It enables direct private firmament investment in large scale infrastructure projects.In BOT the private sign upor constructs and operates the expertness for a specified period. The public sureness pays the asseverator a fee, which may be a fixed sum, linked to output or, more likely, a combination of the two. The fee will cover the streetwalkers fixed and variable costs, including recuperation of the capital invested by the cutor. In this case, ownership of the installation rests with the public say-so.The possibility of BOT is as follows-BUILD A private company (or consortium) agrees with a government to invest in a public infrastructure project. The company wherefore sounds their own financing to construct the project. command The private developer so operates, maintains, and manages the installing for a agreed subsidization period and reco ups their investment through charges or tolls. channel-After the subsidisationary period the company polish offs ownership and operation of the installing to the government or relevant secernate authority.In a BOT arrangement, the private sphere juts and builds the infrastructure, finances its construction and operates and maintains it over a period, often as long as 20 or 30 years. This period is referred to as the yielding period. In short, under a BOT structure, a government typically grants a subsidization to a project company under which the project company has the right to build and operate a instalment. The project company borrows from the lending institutions in order to finance the construction of the knack. The loans are repaid from tariffs paid by the government under the off take agreement during the life of the grant. At the end of the yielding period the preparation is usually transferred back to the government.AdvantagesThe administration gets the benefit of the private field to mobilize finance and to use the go around trouble skills in the construction, operation and forethought of the project.The private participation also sees efficiency and quality by using the scoop out equipment.BOT provides a instrument and incentives for enterprises to improve efficiency through performance-based contract bridges and output-oriented targetsThe projects are conducted in a to the full competitive bidding situation and are thus completed at the lowest possible cost.The risks of the project are shared by the private sphere of influenceDisadvantagesThere is a avail element in the equity portion of the financing, which is higher than the debt cost. This is the price paid for passing of the risk to the private sphere of influenceIt may take a long time and spacious up front get downs to arise and close a BOT financing call for as it involves multiple entities and requires a relatively complicated legal and institutional framework. There the BOT may not be suitable for small projectsIt may take time to develop the necessary institutional capacity to picture that the full benefits of BOT are realized, such as development and enforcement of transparent and pleasure ground bidding and evaluation procedures and the resolution of potential disputes during implementation.chassis Own put away Transfer (BOOT)A BOOT funding model involves a mavin organization, or consortium (BOOT supplier) who anatomys, builds, funds, owns and operates the scheme for a defined period of time and thusly transfers this ownership across to a agreed party. BOOT projects are a way for governments to bundle together the design and construction, finance, operations and guardianship and potentially marketing and customer inter vitrine aspects of a project and let these as a package to a sensation private sector service provider. The asset is transferred back to the government after the concession period at little or no cost.The Compo nents of BOOT.B for BuildThe concession grants the promoter the right to design, construct, and finance the project. A construction contract will be required amid the promoter and a contractor. The contract is often among the to the highest degree difficult to negotiate in a BOOT project because of the conflict that increasingly arises amidst the promoter, the contractor obligated for building the instalment and those financing its construction.Banks and other providers of funds want to be sure that the commercial message terms of the construction contract are reasonable and that the construction risk is placed as far as possible on the contractors. The contractor undertakes indebtedness for constructing the asset and is expected to build the project on time, inwardly budget and according to a clear specification and to warrant that the asset will perform its design function. Typically this is done by way of a lump-sum turn cardinal contract.O for OwnThe concession from the state provides concessioner to own, or at least possess, the assets that are to be built and to operate them for a period of time the life of the concession. The concession agreement between the state and the concessionaire will define the extent to which ownership, and its associated attributes of possession and control, of the assets lies with the concessionaire.O for live onAn hustler assumes the responsibility for maintaining the rapiditys assets and the operating them on the basis that maximizes the profit or minimizes the cost on behalf of the concessionaire and, like the contractor toil construction and be a shareholder in the project company. The means is s often an independent through the promoter company.T for TransferThis relates to a change in ownership of the assets that evanesces at the end of the concession period, when the concession assets revert to the government grantor. The transfer may be at book value or no value and may top earlier in the event of fail ure of concessionaire.Stages of gush ProjectBuild formManage project implementationCarry out procuranceFinanceConstructOwnHold in interest under concession lock insMange and operate adeptnessCarry out sustenance cease products/servicesReceive payment for product/ serviceTransfer happen over project in operating condition at the end of concession periodAdvantagesThe majority of construction and long term risk can be transferred onto the BOOT provider.The BOOT operator can require depreciation on the quick-wittedness constructed and depreciation being a tax- allowable disbursal shareholder returns are maximized.Using an output based purchasing model, the conjure process will encourage maximum innovations allowing the well-nigh efficient designs to be explored for the scheme. This process may also be built into more traditional biddinging processes.Accountability for the asset design, construction and service delivery is very high given that if the performance targets are no t met, the operator stands to lose a portion of capital expenditure, capital profit, operating expenditure and operating profit. explosive charge operators are experienced with management and operation of infrastructure assets and bring these skills to scheme. unified structuring issues and costs are minimal in spite of appearance a BOOT model, as project funding, ownership and operation are the responsibility of the BOOT operator. These costs will however be built into the BOOT project pricing.Disadvantages outpouring is likely to result in higher cost of the product/ service for the end user. This is a result of the BOOT provider incurring the risks associated with one hundred percnet financing of the scheme and the acceptance of the ongoing victuals liabilities.Users may have a negative reaction to private sector involvement in the scheme, particularly if the private sector is an overseas owned company caution and monitoring of the service level agreement with the BOOT operato rs can be time consuming and resource hungry. Procedures need to be in place to allow users to assess service performance and penalize the BOOT operator where necessary.A rigorous selection process is required when selecting a bring up partner. Users need to be confident that the BOOT operator is financially secure and sufficiently committed to the market prior to considering their bid.Build Own OperateIn BOO, the concessionaire constructs the instalment and and so operates it on behalf of the public agency. The sign operating period over which the capital cost will be recovered is defined. Legal title to the preparation corpse in the private sector, and there is no obligation for the public sector to purchase the zeal or take title. The private sector partner owns the project instantly and retains the operating revenue risk and all of the surplus operating revenue in perpetuity. As an alternative to transfer, a further operating contract at a lower cost may be negotiated. en vision Build Finance Operate (DBFO)Under this uprise, the responsibilities fro designing, building, financing and operating are bundled together and transferred to private sector partners. They are also often supplemented by public sector grants in the from of money or contributions in kind, such as right of way. In certain cases, private partners may be required to make equity investments as well. DBFO shifts a great channel of the responsibility for developing and operating to private sector partners, the public agency sponsoring a project would retain full ownership over the project.OthersBuild Transfer Operate (BTO)The BTO model is similar to BOT model except that the transfer to the public owner takes place at the time that construction is completed, kinda than at the end of the franchise period. The concessionary builds and transfers a facility to the owner but exclusively operates the facility on behalf of the owner by means of management contract.Buy Build Operate (BBO)A BBO is a form of asset sale that includes a rehabilitation or expansion of an existing facility. The government sells the asset to the private sector entity, which indeed makes the improvements necessary to operate the facility in a profitable manner.Lease Own Operate (LOO)This court is similar to a BOO project but an existing asset is leased from the government for a specified time. the asset may require refurbishment or expansion.Build Lease Transfer (BLT)The concessionaire builds a facility, lease out the operating portion of the contract, and on conclusion of the contract, returns the facility to the owner.Build Own Lease Transfer (BOLT)BOLT is a financing scheme in which the asset is owned by the asset provider and is then leased to the public agency, during which the owner receives lease rentals. On completion of the contract the asset is transferred to the public agency.Build Lease Operate Transfer (BLOT)The private sector designs finance and construct a new facility on p ublic land under a long term lease and operate the facility during the term of the lease. the private owner transfers the new facility to the public sector at the end of the lease term. aspiration Build (DB)A DB is when the private partner provides both design and construction of a project to the public agency. This type of partnership can reduce time, save money, provide stronger guarantees and allocate additional project risk to the private sector. It also reduces conflict by having a single entity prudent to the public owner for the design and construction. The public sector partner owns the assets and has the responsibility for the operation and maintenance. founding Bid Build (DBB)Design bid build is the traditional project delivery approach, which segregates design and construction responsibilities by prize them to an independent private engineer and a separate private contractor. By doing so, design bid build separates the delivery process in to the triple liner phases Des ign, Bid and Construction. The public sector retains responsibility for financing, operating and maintaining infrastructure procured using the traditional design bid build approach.Design Build Maintain (DBM)A DBM is similar to a DB except the maintenance of the facility for the some period of time lasts the responsibility of the private sector partner. The benefits are similar to the DB with maintenance risk being allocated to the private sector partner and the guarantee expanded to include maintenance. The public sector partner owns and operates the assets.Design Build Operate (DBO)A single contract is awarded for the design, construction and operation of a capital improvement. Title to the facility remains with the public sector unless the project is a designbuildoperatetransfer or designbuildownoperate project. The DBO method of spying is contrary to the separated and sequential approach ordinarily used in the United States by both the public and private sectors. This method in volves one contract for design with an architect or engineer, followed by a unlike contract with a builder for project construction, followed by the owners taking over the project and operating it.A simple design build approach credits a single point of responsibility for design and construction and can speed project completion by facilitating the overlap of the design and construction phases of the project. On a public project, the operations phase is unremarkably handled by the public sector under a separate operations and maintenance agreement. Combining all iii phases in to a DBO approach maintains the continuity of private sector involvement and can facilitate private sector financing of public projects supported by user fees generated during the operations phase.Lease Develop Operate (LDO) or Build Develop Operate (BDO)Under these partnerships arrangements, the private party leases or buys an existing facility from a public agency invests its own capital to renovate moderniz e, and expand the facility, and then operates it under a contract with the public agency. A number of antithetical types of municipal transit facilities have been leased and developed under LDO and BDO arrangements. metaphysical PerspectiveProject Finance Strategic Business UnitA one-stop-shop of financial services for new projects as well as expansion, diversification and modernization of existing projects in infrastructure and non -infrastructure sectors Since its inception in 1995 the Project Finance SBU has built-up a strong reputation for its in-depth understanding of the infrastructure sector as well as non-infrastructure sector in India and they have the ability to provide tailor made financial solutions to meet the growing diversify requirement for unalike levels of the project. The recent transactions undertaken by PF-Concepts of Project FinanceConcepts of Project FinanceIntroductionProject Finance.Origins of project financeProject financing is generally sought for inf rastructure related projects. Its linkages to the economy are mutiple and complex, because it affects production and consumption directly, creates negative and positive externalities, and involves large flow of expenditure. prior(prenominal) to World War I, private entrepreneurs built major infrastructure projects all over the world. During the 19th century ambitious projects such as the suez communication channel and the Trans-Siberian Railway were constructed, financed and owned by private companies. However the private sector entrepreneur disappeared after world War I and as colonial powers lost control, new governments financed infrastructure projects through public sector borrowing. The state and the public utility organizations became the main clients in the commissioning of public works, which were then paid for out of general taxation. After World War II, most infrastructure projects in industrialized countries were built under the supervision of the state and were funded f rom the respective budgetary resources of sovereign borrowings.This traditional approach of government in identifying needs, setting policy and procuring infrastructure was by and large followed by developing countries, with the public finance being supported by bond instruments or direct sovereign loans by such organizations as the world Bank, the Asian Development Bank and the International Monetary Fund.Development In the early 1980sThe convergence of a number of factors by the early 1980s led to the search for alternative ways to develop and finance infrastructure projects around the world. These factors includeContinued population and economic growth meant that the need for additional infrastructure- roads, power plants, and water-treatment plants-continued to grow.The debt crisis meant that many countries had less borrowing capacity and few budgetary resources to finance badly needed projects compelling them to look to the private sector for investors for projects which in th e past would have been constructed and operated in the public sectorMajor international catching firms, which in the mid-1970s had been kept busy, particularly in the oil rich Middle East, were, by the early 1980s, facing a significant downturn in business and looking for creative ways to promote additional projects.Competition for global markets among major equipment suppliers and operators led them to become promoters of projects to enable them to sell their products or services.Outright privatization was not acceptable in some countries or appropriate in some sectors for political or strategic reasons and governments were reluctant to relinquish total control of what maybe regarded as state assets.During the 1980s, as a number of governments, as well as international lending institutions, became increasingly interested in promoting the development for the private sector, and the discipline imposed by its profit motive, to enhance the efficiency and productivity of what had previ ously been considered public sector services. It is now increasingly recognized that private sector can play a dynamic role in accelerating growth and development. Many countries are encouraging direct private sector involvement and making strong efforts to attract new money through new project financing techniques.Such encouragement is not borne only if out of the need for additional financing, but it has been recognized that the private sector involvement can bring with it the ability to implement projects in a shorter time, the expectation of more efficient operation, better management and higher technical capability and, in some cases, the introduction of an element of competition into monopolistic structures.However, the private sector, driven by commercial objectives, would not want to take up any project whose returns are not consumerate with the risks. Infrastructure projects typically have a long gestation period and returns are uncertain. What then are the incentives of p rivate capital providers to participate in infrastructure projects, which are fraught with huge risks? Project finance provides satisfactory answers to these questions.Project finance is typically defined as limited or non-recourse financing of a new project through separate incorporation of vehicle or Project Company. Project financing involves non-recourse financing of the development and construction of a particular project in which the lender looks principally to the revenues expected to be generated by the project for the repayment of its loan and to the assets of the project as collateral for its loan rather than to the general credit of the project sponsor.In other words the lenders finance the project looking at the creditworthiness of the project, not the creditworthiness of the borrowing party. Project Financing discipline includes understanding the rationale for project financing, how to relieve oneself the financial plan, assess the risk, design the financing mix, and r aise the funds.A cognition base is required regarding the design of contractual arrangements to support project financing issues fior the host government legislative provisions, public/private infrastructure partnerships, public/private financing structures credit requirements of lenders, and how to determine the projects borrowing capacity how to prepare cash flow projections and use them to measure expected rates of return tax and accounting considerations and analytical techniques to validate the projects feasibility.Traditional finance is corporate finance, where the primary source of repayment for investor and creditors is the sponsoring company, backed by its entire balance sheet, not the project alone. Although creditors will usually still seek to assure themselves of economic viability of the project being financed so that it is not a run on the corporate sponsors existing pool of assets, an important influence on their credit decision is the overall strength of the sponsor s balance sheet, as well as their business reputation. If the project fails, lenders do not necessarily suffer, as long as the company owning the project remains financially viable. somatic finance is often used for shorter, less capital-intensive projects that do not warrant outside financing. The company borrows funds to construct a new facility and guarantees to repay the lenders from its available operating income and its base of assets. However private companies forfend this option, as it strains their balance sheets and capacity, and limits their potential participation in future projects. Project financing is different from traditional forms of finance because the financier principally looks to the assets and revenue of the project in order to secure and service the loan.In project finance a team or consortium of private firms establishes a new project company to build, own and operate a separate infrastructure project. The new project company to build own and operate a sepa rate infrastructure project. The new project company is capitalized with equity contributions from each of the sponsors. In contrast to an ordinary borrowing situation, in a project financing the financier usually has little or no recourse to the non-project assets of the borrower or the sponsors of the project. The project is not reflected in the sponsors balance sheets. uttermost of recourseRecourse refers to the right to claim a refund from another party, which has handled a bill at an earlier stage. The extent of recourse refers to the range of reliance on sponsors and other project participants for enhancement to protect against certain projects risks. In project financing there is limited or no recourse. Non-recourse project finance is an arrangement under which investors and credit financing the project do not have any direct recourse to the sponsors.In other words, the lender is not permitted to request repayment from the parent company if borrower fails to meet its payment obligation. Although creditors security will include the assets being financed, lenders aver on the operating cash flow generated from those assets for repayment.When the project has assured cash flows in the form of a reliable off taker and well-allocated construction and operating risks, the lenders are comfortable with non-recourse financing. Lenders prefer limited recourse when the project has importantly higher risks. Limited recourse project finance permits creditors and investors some recourse to the sponsors.This frequently takes the form of a precompletion guarantee during a projects construction period, or other assurance of some form of support for the project. In most developing market projects and in other projects with significant construction risk, project finance is generally of the limited recourse type.Merits and Demerits of Project FinancingProject financing is continuously used as a financing method in capital-intensive industries for projects requiring large in vestments of funds, such as the construction of power plants, pipelines, transportation systems, mining facilities, industrial facilities and heavy manufacturing plants. The sponsors of such projects frequently are not sufficiently creditworthy ot obtain tr5aditional financing or unwilling to take the risk and assume the debt obligation associated with traditional financing. Project financing permits the risk associated with such projects to be allocated among number of parties at levels acceptable to each party.The advantages of project financing are as follows1.Non-recourseThe typical project financing involves a loan to enable the sponsor to construct a project where the loan is completely Non-recourse to the ssponsor i.e. the sponsor has no obligation to make payments on the project loan if revenues generated by the project are insufficient to cover the formula and interest payable on the loan. This safeguards the assets of sponsors. The risks of new projects remain separate f rom the existing business.2.Maximizes leverageIn project financing. The sponsors typically seek to finance the cost of development and construction of project on highly leverage basis. frequently such costs are financed using 80 to 100 percent debt. High leverage in an non recourse financing permits a sponsor to put less in funds at risk, permits a sponsor to finance a project without diluting its equity investment in the project and in certain circumstances, also may permit reduction in cost of capital by substituting lower cost, tax deductible interest for higher cost, taxable return on equity.3.Off balance sheet treatmentDepending upon the structure of project financing the project sponsors may not be required to report any of the project debt on its balance sheet because such debt is non recourse or of limited recourse to the sponsor. Off balance sheet treatment can have the added working benefit of helping the sponsor comply with convenient and restrictions related to the bo ard. Borrowings funds contain in other indentures and credit agreements to which the sponsor is a party.4.Maximizes tax benefitsProject finance is generally structured to maximize tax benefit and to assure that all available tax benefit are used by the sponsors or transferred to the extent possible to another party through a partnership, lease or vehicle.5.Diversifies riskBy allocating the risk and financing need of the projects among a group of interested parties or sponsors, project financing makes it possible to undertake project that would be too large or would pose too great a risk for one party ion its own.Demerits1.Complexity of risk allocationProject financing is complex transaction involving many participants with diverse interest. If a project is to be successful risk must be allocated among the participants in an economically efficient way. However, there is necessary tension between the participants. For e.g between the lender and the sponsor regarding the degree of reco urse, between the sponsor and contractor regarding the nature of guarantees., etc which may slow down the realization of the project.2.Increase transaction costIt involves higher transaction costs compared to other types of transactions, because it requires an expensive and time-consuming due diligence conducted by the lenders lawyer, the independent engineers etc., since the funding is usually complex and lengthy.3.Higher interest rates and feesThe interest rates and fees charged in project financing are higher than on direct loan made to the project sponsor since the lender takes on more risk.4.Lender supervisionIn accordance with a higher risk taken in project financing the lender imposes a greater supervion on the mangement and operation of the project to make sure that the project success is not impaired. The degree of lender supervision will usually result into higher costs which will typically have to be borne by the sponsor.Whether expanding manufacturing facilities, implem enting new processing capabilities, or leveraging existing assets in new markets, innovative financing is often at the core of long-term projects to transform a companys operations. Akin to the underlying corporate transformation, the challenge with innovative financial structures such as project finance is that the investment is made upfront while the anticipated benefits of the initiative are realized years later.There has been a rise in number of companies that need innovative financing to satisfy their capital needs, in a significant number of instances they have viable goals but find that traditional lenders are futile to understand their initiatives. And so the need emerged for project finance.Project financing is a specialized form of financing that may offer some cost advantages when very large amounts of capital are involved It can be tricky to structure, and is usually limited to projects where a good cash flow is anticipated. Project finance can be defined as financing o f an industrial (or infrastructure) project with myriad capital needs, usually based on non-recourse or limited recourse structures, where project debt and equity (and potentially leases) used to finance the project are paid back from the cash flow generated by the project, with the projects assets, rights and interests held as collateral. In other words, its an incredibly flexible and schoolwide financing solution that demands a long-term lending approach not typical in todays market place.Whether expanding manufacturing facilities, implementing new processing capabilities, or leveraging existing assets in new markets, innovative financing is often at the core of long-term projects to transform a companys operations. Akin to the underlying corporate transformation, the challenge with innovative financial structures such as project finance is that the investment is made upfront while the anticipated benefits of the initiative are realized years later.Infrastructure is the backbone of any economy and the key to achieving rapid sustainable rate of economic development and competitive advantage. Realizing its wideness governments commit substantial portions of their resources for development of the infrastructure sector. As more projects emerge getting them financed will continue to require a balance between equity and debt. With infrastructure stocks and bonds being traded in the markets around the world, the traditionalist face change. A country on the crest of change is India. Unlike many developing countries India has developed judicial framework of trust laws, company laws and contract laws necessary for project finance to flourish.Types of Project FinanceBuild Operate Transfer (BOT)Build Own Operate Transfer (BOOT)Build Own Operate (BOO)Build Operate TransferBuild operate transfer is a project financing and operating approach that has found an application in recent years primarily in the area of infrastructure privatization in the developing countries. It enables direct private sector investment in large scale infrastructure projects.In BOT the private contractor constructs and operates the facility for a specified period. The public agency pays the contractor a fee, which may be a fixed sum, linked to output or, more likely, a combination of the two. The fee will cover the operators fixed and variable costs, including recovery of the capital invested by the contractor. In this case, ownership of the facility rests with the public agency.The system of BOT is as follows-BUILD A private company (or consortium) agrees with a government to invest in a public infrastructure project. The company then secures their own financing to construct the project.Operate The private developer then operates, maintains, and manages the facility for a agreed concession period and recoups their investment through charges or tolls.Transfer-After the concessionary period the company transfers ownership and operation of the facility to the government or r elevant state authority.In a BOT arrangement, the private sector designs and builds the infrastructure, finances its construction and operates and maintains it over a period, often as long as 20 or 30 years. This period is referred to as the concession period. In short, under a BOT structure, a government typically grants a concession to a project company under which the project company has the right to build and operate a facility. The project company borrows from the lending institutions in order to finance the construction of the facility. The loans are repaid from tariffs paid by the government under the off take agreement during the life of the concession. At the end of the concession period the facility is usually transferred back to the government.AdvantagesThe presidency gets the benefit of the private sector to mobilize finance and to use the best management skills in the construction, operation and maintenance of the project.The private participation also ensures efficien cy and quality by using the best equipment.BOT provides a mechanism and incentives for enterprises to improve efficiency through performance-based contracts and output-oriented targetsThe projects are conducted in a fully competitive bidding situation and are thus completed at the lowest possible cost.The risks of the project are shared by the private sectorDisadvantagesThere is a profit element in the equity portion of the financing, which is higher than the debt cost. This is the price paid for passing of the risk to the private sectorIt may take a long time and grand up front expenses to prepare and close a BOT financing dish as it involves multiple entities and requires a relatively complicated legal and institutional framework. There the BOT may not be suitable for small projectsIt may take time to develop the necessary institutional capacity to ensure that the full benefits of BOT are realized, such as development and enforcement of transparent and fair bidding and evaluati on procedures and the resolution of potential disputes during implementation.Build Own Operate Transfer (BOOT)A BOOT funding model involves a single organization, or consortium (BOOT provider) who designs, builds, funds, owns and operates the scheme for a defined period of time and then transfers this ownership across to a agreed party. BOOT projects are a way for governments to bundle together the design and construction, finance, operations and maintenance and potentially marketing and customer interface aspects of a project and let these as a package to a single private sector service provider. The asset is transferred back to the government after the concession period at little or no cost.The Components of BOOT.B for BuildThe concession grants the promoter the right to design, construct, and finance the project. A construction contract will be required between the promoter and a contractor. The contract is often among the most difficult to negotiate in a BOOT project because of the conflict that increasingly arises between the promoter, the contractor responsible for building the facility and those financing its construction.Banks and other providers of funds want to be sure that the commercial terms of the construction contract are reasonable and that the construction risk is placed as far as possible on the contractors. The contractor undertakes responsibility for constructing the asset and is expected to build the project on time, within budget and according to a clear specification and to warrant that the asset will perform its design function. Typically this is done by way of a lump-sum turnkey contract.O for OwnThe concession from the state provides concessionaire to own, or at least possess, the assets that are to be built and to operate them for a period of time the life of the concession. The concession agreement between the state and the concessionaire will define the extent to which ownership, and its associated attributes of possession and cont rol, of the assets lies with the concessionaire.O for OperateAn operator assumes the responsibility for maintaining the facilitys assets and the operating them on the basis that maximizes the profit or minimizes the cost on behalf of the concessionaire and, like the contractor parturiency construction and be a shareholder in the project company. The operator is s often an independent through the promoter company.T for TransferThis relates to a change in ownership of the assets that occurs at the end of the concession period, when the concession assets revert to the government grantor. The transfer may be at book value or no value and may occur earlier in the event of failure of concessionaire.Stages of parent ProjectBuildDesignManage project implementationCarry out procurementFinanceConstructOwnHold in interest under concessionOperatesMange and operate facilityCarry out maintenance preserve products/servicesReceive payment for product/ serviceTransfer mountain over project in oper ating condition at the end of concession periodAdvantagesThe majority of construction and long term risk can be transferred onto the BOOT provider.The BOOT operator can claim depreciation on the facility constructed and depreciation being a tax-deductible expense shareholder returns are maximized.Using an output based purchasing model, the tender process will encourage maximum innovations allowing the most efficient designs to be explored for the scheme. This process may also be built into more traditional tendering processes.Accountability for the asset design, construction and service delivery is very high given that if the performance targets are not met, the operator stands to lose a portion of capital expenditure, capital profit, operating expenditure and operating profit.Boot operators are experienced with management and operation of infrastructure assets and bring these skills to scheme. integrated structuring issues and costs are minimal within a BOOT model, as project fundi ng, ownership and operation are the responsibility of the BOOT operator. These costs will however be built into the BOOT project pricing.DisadvantagesBoot is likely to result in higher cost of the product/ service for the end user. This is a result of the BOOT provider incurring the risks associated with 100 percnet financing of the scheme and the acceptance of the ongoing maintenance liabilities.Users may have a negative reaction to private sector involvement in the scheme, particularly if the private sector is an overseas owned company way and monitoring of the service level agreement with the BOOT operators can be time consuming and resource hungry. Procedures need to be in place to allow users to assess service performance and penalize the BOOT operator where necessary.A rigorous selection process is required when selecting a conjure up partner. Users need to be confident that the BOOT operator is financially secure and sufficiently committed to the market prior to considering their bid.Build Own OperateIn BOO, the concessionaire constructs the facility and then operates it on behalf of the public agency. The sign operating period over which the capital cost will be recovered is defined. Legal title to the facility remains in the private sector, and there is no obligation for the public sector to purchase the facility or take title. The private sector partner owns the project unlimited and retains the operating revenue risk and all of the surplus operating revenue in perpetuity. As an alternative to transfer, a further operating contract at a lower cost may be negotiated.Design Build Finance Operate (DBFO)Under this approach, the responsibilities fro designing, building, financing and operating are bundled together and transferred to private sector partners. They are also often supplemented by public sector grants in the from of money or contributions in kind, such as right of way. In certain cases, private partners may be required to make equity invest ments as well. DBFO shifts a great spate of the responsibility for developing and operating to private sector partners, the public agency sponsoring a project would retain full ownership over the project.OthersBuild Transfer Operate (BTO)The BTO model is similar to BOT model except that the transfer to the public owner takes place at the time that construction is completed, rather than at the end of the franchise period. The concessionary builds and transfers a facility to the owner but exclusively operates the facility on behalf of the owner by means of management contract.Buy Build Operate (BBO)A BBO is a form of asset sale that includes a rehabilitation or expansion of an existing facility. The government sells the asset to the private sector entity, which then makes the improvements necessary to operate the facility in a profitable manner.Lease Own Operate (LOO)This approach is similar to a BOO project but an existing asset is leased from the government for a specified time. th e asset may require refurbishment or expansion.Build Lease Transfer (BLT)The concessionaire builds a facility, lease out the operating portion of the contract, and on completion of the contract, returns the facility to the owner.Build Own Lease Transfer (BOLT)BOLT is a financing scheme in which the asset is owned by the asset provider and is then leased to the public agency, during which the owner receives lease rentals. On completion of the contract the asset is transferred to the public agency.Build Lease Operate Transfer (BLOT)The private sector designs finance and construct a new facility on public land under a long term lease and operate the facility during the term of the lease. the private owner transfers the new facility to the public sector at the end of the lease term.Design Build (DB)A DB is when the private partner provides both design and construction of a project to the public agency. This type of partnership can reduce time, save money, provide stronger guarantees and allocate additional project risk to the private sector. It also reduces conflict by having a single entity responsible to the public owner for the design and construction. The public sector partner owns the assets and has the responsibility for the operation and maintenance.Design Bid Build (DBB)Design bid build is the traditional project delivery approach, which segregates design and construction responsibilities by accolade them to an independent private engineer and a separate private contractor. By doing so, design bid build separates the delivery process in to the three liner phases Design, Bid and Construction. The public sector retains responsibility for financing, operating and maintaining infrastructure procured using the traditional design bid build approach.Design Build Maintain (DBM)A DBM is similar to a DB except the maintenance of the facility for the some period of time becomes the responsibility of the private sector partner. The benefits are similar to the DB with maintenance risk being allocated to the private sector partner and the guarantee expanded to include maintenance. The public sector partner owns and operates the assets.Design Build Operate (DBO)A single contract is awarded for the design, construction and operation of a capital improvement. Title to the facility remains with the public sector unless the project is a designbuildoperatetransfer or designbuildownoperate project. The DBO method of contracting is contrary to the separated and sequential approach ordinarily used in the United States by both the public and private sectors. This method involves one contract for design with an architect or engineer, followed by a different contract with a builder for project construction, followed by the owners taking over the project and operating it.A simple design build approach credits a single point of responsibility for design and construction and can speed project completion by facilitating the overlap of the design and construction phases of the project. On a public project, the operations phase is usually handled by the public sector under a separate operations and maintenance agreement. Combining all three phases in to a DBO approach maintains the continuity of private sector involvement and can facilitate private sector financing of public projects supported by user fees generated during the operations phase.Lease Develop Operate (LDO) or Build Develop Operate (BDO)Under these partnerships arrangements, the private party leases or buys an existing facility from a public agency invests its own capital to renovate modernize, and expand the facility, and then operates it under a contract with the public agency. A number of different types of municipal transit facilities have been leased and developed under LDO and BDO arrangements. supposititious PerspectiveProject Finance Strategic Business UnitA one-stop-shop of financial services for new projects as well as expansion, diversification and modernization of existing projects in infrastructure and non -infrastructure sectors Since its inception in 1995 the Project Finance SBU has built-up a strong reputation for its in-depth understanding of the infrastructure sector as well as non-infrastructure sector in India and they have the ability to provide tailor made financial solutions to meet the growing modify requirement for different levels of the project. The recent transactions undertaken by PF-

How Does Law And Order SVU Portray Women?

How Does uprightness And piece SVU Portray Wo unravelforce? content1. IntroductionThis correction psycho contemplates the internal mental theatrical performance of women on Television which is one of the some litigious topics surrounding the medium and is strongly dissected in this mean solar day and age. I volition be conducting my research specifically on portraiture of women in lawfulness and mark extra Victims Unit. The examination should reveal whether the image of pistillate roughages on Law and format is positive or negative.1.1 Women On TVJoseph (2004) argues that women were under delineated on network romptic arrays in 1950s to the mid-s dismantleties and when they did appear, they were frequently seen in token or stereotyped roles. Although theatrical performance of women strike changed greatly in the last two decades as we argon progressing into a to a greater extent than(prenominal)(prenominal) contemporary society, the question is, has it reall y changed modern representations of women or it b atomic number 18ly replicates sexual activity stereotypes (Dobash et al. 1998). In recent years, Xena Warrior Princess and Buffy The Vampire Slayer pioneered the strong conduct fe manful offices in semblance musical musical style. Magoulick (2006) elucidates the positive reviews of Xena and Buffy demonstrate the extent to which these women events chance upon with womanish viewers longing for strong role models, or even just strong egg-producing(prenominal) roles on telly. However, these characters were based in fantasy and science fiction literary literary genre. Still, programmes like Cagney and Lacey, Cats Eyes and Juliet Bravo paved the r bulgee for future strong pistillate characters which were popular police force/ detective dramas interpret strong women.1.2 Law dress Special Victims UnitCurrently in its 13th season, Law and run SVU first aerial in 1999. The detectives on the team solve sexually motivated criminal offenses and child abuse cases, which includes an exceptionally strong egg-producing(prenominal) lead character Olivia Benson (Mariska Hargitay) and other popular womanish characters such as Amanda Rollins (Kelli Giddish), retainer g all overn Attorney Alexandra Cabot (Stephanie defect) and Assistant District Attorney Casey Novak (Diane Neal). Law Order Special Victims Unit offers a unique(p) blend of marks placed inside a virile detective genre with strong main female lead along with a male partner, scout Elliot Stabler visualised by Christopher Meloni. The episodes often feature real behavior crime stories and create episodes based on crime stories ripped from the headlines (Green 2009, pp.2). Law Order Special Victims Unit is one of the most successful and popular whirlpool off series of Law and Order franchise which has won numerous awards as well as the 2006 Emmy for Outstanding Lead Actress in a dramatic play Series for Mariska Hargitay (Emmys, 2006) who describes female audiences reaction to her character Olivia Benson in special K curb Law Order Special Victims Unit The Unofficial participatorAs the show got more popular, I received so more emails from so some(prenominal) survivors. They were identifying so much with my character, identifying with this lion, this strong powerful (Olivia Benson). And thusly I had thirteen-years-old going, I want to be you you atomic number 18 my role model. Hundreds of emails going, I want to be a cop when I grow up. And I thought this character has touched something deep in so m each women and put upd a safe place to go I felt I had a responsibility.(Green 2009, pp. 90)1.3 Relevance Of The exploreWomen representation on goggle box has strong value to female audiences because they view strong characters as role models. Singh, Vinnicombe and mob (2006) studied c arer-minded women who keenly draw on role models from different aspects of like, television being one of them. They dis covered that women used female characters from Television as role models such as Buffy, Alias and Xena The Warrior Princesss. Analysing this aspect of female characters on Law Order Special Victims Unit volition declare oneself-importance me with the tools to experience the codes used in the portrayal of women. inquiry has been conducted on Law and Order Special Victims Unit in the past i.e cultural minorities, victimization of women. For event Britto (2007, p40) has deconstructed that portrayal of women are overplayed on crime drama series as offenders and victims with the help of content analytic thinking in her clause Does Special call up Young, White and Female? Deconstructing the sum of Special in Law Order Special Victims Unit. Furthermore, there has been extensive research on representation of ethnic minorities, male and female on Law and Order Special Victims Unit. However, my research pull up stakes focalise on the female characters such as Olivia Benson (Marisk a Hargitay), Amanda Rollins (Kelli Giddish), Assistant District Attorney Alexandra Cabot (Stephanie March) and Assistant District Attorney Casey Novak (Diane Neal) and deconstruct the codes busy to characterize them.2. Literature ReviewTheoretical framework testament accost my research in a localise manner whilst facilitating a dependable and comprehensive abstract. It lead intromit a study foundation for my investigation. As representation of women is such a various(a) topic, I allow focus and limit my research with the help of a priori framework to achieve an detailed finale.2.1 Representation Of Women On TVIn smart set to build my research, the score of women representation would greatly concern in my investigation. Consequently, DAccis (1994) punctilious exploration of Cagney and Lacey, which aired from 1981 to 1988 and widely recognized as an advance(a) treatment of working women would provide the perfect groundwork for the investigation. While researching t his concord, DAcci had unprecedented access to the set, to yield meetings, and to the fatten out production files, including correspondence from network executives, publicity firms, and thousands of viewers. In this book she examines the ontogenesis of women characters and the representation of libber movement on prime-time television. This would provide me thorough know leadge of what goes bottomland making a drama series with female lead characters and allow equip me with the right tools to compare the representation of female characters on Law and OrderSVU. Furthermore, it contains other example from the history of Ameri shtup television which would be beneficial for my research. Brunsdon, Charlotte and Spigels (2007) book womens rightist Television review A ratifier provides a detailed examination extending across television, media and concealing studies which looks into representation of feminism as historical categories and political identities. This book gives a val uable epitome of women working behind the camera and in-front of the camera as well as female audience and their response to television in their daily lives. I would be able to evaluate the depiction of women on Law Order SVU in regards to historical and political viewpoint.The representation of females on the television screen has been a subject of much discussion since the television became commercially gettable in the late 1930s. In 21st Century, even though television produces programs like Pan Am, Charlies angels, The Playboy Club with female lead characters, they are still viewed through a very patriarchal ideology (Ingham, 2007). Dominicks (1979) article The portrayal of women in prime time, 1953-1977 concludes that female characters appearing on prime-time television from 1953-1977 were underrepresented on television and were frequently seen in stereotyped roles. This article will help me setting the groundwork for my research as I can put female characters on Law and Ord er SVU berth by side with previous characters. Further research (Elasmar, Kazumi and Brain, 2009) showed that women were more likely to be shown playing minor roles and playing characters of housewives and involved in a wild-eyed dealinghip. I would need to further explore the depth of women representation on television which will allow me to conduct adept research.Gills (2007) work on sex activity and Media looks like an interesting book for my research which explores the contradictory character of contemporary sex representations. Gender and the Media is as well as concerned with the theoretical tools on tap(predicate) for analyzing representations. A range of approaches from semiotics to postcolonial hypothesis are discussed, and Gill asks how expedient notions such as objectification, backlash, and positive images are for making sense of gender in todays Western media which relates to my current study.Melanie (2011) cross-examines the construction of feminism and femini nity in photographic film and television from a wide variety of female centric programs such as chick flicks, reality shows and drama. This book will provide me with the understanding of the relationship between feminism, femininity, and visual destination and tools to analyze images of female representation in media.2.1.1. Narrative physical composition The WomanIn army to relate characters and peak interest of the audience, formulation of the character through story is of fulfilment importance. The character and chronicle in the text have an horny connection and resonate with the reader if they identify with the character. Hence, depth psychology of female representation in Law and Order SVU through their characterization in the narrative would allow me to deconstruct the signs from the text. Furthermore, specific aesthetic and narrative strategies used by the producers to create characters also append to feminism and female representation (Geetha, 2007). Mulveys (1975) innovative article Visual Pleasure and Narrative Cinema would greatly guardianship in exploring the relation of narrative structure in construction of female characters in Law and Order SVU where she unravels the narrative and visual techniques in cinema and puts forward the male cinematic gaze that objectifies the female character, hence, turning her into a spectacle, to-be-looked-at-ness (1975, 19). Mulvey (2009) revisits her theory in Visual and some other Pleassure by put throughing her womens rightist theory to more contemporary work concerning film spectatorship. She also talks round recent modern woman of the 1920s in terms of images and narratives employed in Hollywood and European films which will be relevant to quantify portrayal of women in Law and Order SVU.In regards to narrative and women representation in media, Teresa de Lauretiss (1984) work would facilitate my research in the right agency as she investigates the structural representations of woman in cinem a. De Lauretis (1984) disagrees with Mulveys (1975) theory of women representation as being permanently subjective and affirms that it is in a consistent spirit level of self-progression. De Lauretis considers that narrative structure draws upon the characters aspiration in accessible and cultural circumstance and reproduces subjectivity. De Lauretis argues that female characters are formulated to incline towards femininity and naturalizedly portrayed as ideal image perceived by men (1984, 143). De Lauretiss conclusion of womens oppression by employing techniques of cinematic narration would provide a diverse perspective in representation of women in Law and Order SVU.2.2 Women horror GenreThe characteristics of gender have been reallocated in modern era in crime dramas where the female and male personalities are synthesized. The varyation also power saw the shift of feminine traits of emotions, compassion and bond between traditionally manly traits of whizism, vigor, and power giving rise to alternative action hero (Feasey 2008, p. 67). In 1970s and 1980s, crime genre progressively began depicting women in epoch-making characters embarking on TV revolution. Snauffers (2006) book called discourtesy Television would aid in my research hugely as it would be idyllic to find out the history of crime genre as it was dominated by men (Maureen 1988, p. 2). Since the beginning of television, crime dramas have been a prime genre of TV. agree to Snauffer (2006), crime television has proven to be a fascinating rumination of changes and developments in the culture at large. In the 50s and early 60s, the square-jawed, just-the-facts detectives of The Untouchables and The FBI put police work in the best light possible. As the 60s gave way to the 70s, however, the depictions gained more subtle shading, and The Streets of San Francisco, The Rockford Files, and Baretta offered conflicted heroes in more complex worlds. This trend has of course act in more recent decades, with Steven Bochcos dramas seeking a new naive realism through frank depictions of language and sexuality on television. In chronicling these developments and illustrating how the genre has reflected our ideas of crime and crime solving through the decades, author Douglas Snauffer here provides infixed reading for any fan. This work provides a comprehensive history of detective and police shows on television which will contribute to my research immensely. Turnbull (2013) in her book The criminal offense Drama TV Genres provides a historical study of the crime drama series as a genre which presents a number of case studies to clarify major concerns in the course of the genre. This book will facilitate my argument as it looks at female led crime drama series from around the world such as The Wire and The Killing.Crime dramas generally feature subject matter related to public sphere with male dominance, however, the addition of female characters into crime genre has modif yd to pursue a dynamic approach concerning gender bending transgressions, domesticated issues and other feminist concerns (Feasey 2008). Nevertheless, women werent al ways depicted as strong willed and fencesitter on TV. Cavender (1999) examines the depiction of women crime victims by comparing episodes from reality crime program. He analyzed that women talked about their victimization however, men spoke more often and presented master narratives about the crimes. In both seasons, the program imaginativeness emphasized feminine vulnerability to violence from strange, devious, and brutal men and masculine technical expertise and trust as womens protection from such violence. His analysis would be helpful in further studying the crime genre as well as involvement of women. Humphries (2009) examines women, violence, and media presentations through the lens of feminist criminology. This book contains chapters on Gendering Constructions which lays the foundation for the volume and exa mines media presentation of gendered violence, female killers on Law and Order and women in media. This book will give me tools to analyze the media text meticulously.In crime genre, male protagonist used to focus on solving the crime neglecting the public concerns during the process. Though, attitudes started to change when women were portrayed unconventionally as brave, independent and intelligent characters breaking away from the social average resulting in shaping a new feminist archetype (Aisenberg, 1994). In her book Ordinary heroines Transforming the male myth Aisenberg (1994, p. 240) believes that female representation has progressed into fitted active crime-solving characters with slight borrowing from conventional masculine traits such as Dana Scullys (Gillian Anderson) character in The X Files who was a powerful and independent master copy woman even though FBI agent roles were profoundly male-dominated.Cuklanz and Moorti (2009) examine a wide variety of text to delve into the representations of gendered violence against women and formulation of gender. They believe that Law and Order SVU featuring lead female characters engage in uninventive representation of women showcasing violence against them including inherent misogynist communiqu. Cavender and Jurik (2012) inspect the optimistic side of representation of women on TV as they analyse Prime odd starring Helen Mirren as policewoman Jane Tennison in popular British drama series where her character disrupts the conventions of the traditionally male genre (p.65). They focus on the portrayal of gender and law enforcement in the show featuring modern social tribulations where women play the central character. On one hand, Prime Suspect has create a cult hit for being an exceptionally feminist show in a traditionally male dominated crime genre. On the other hand, it is still not devoid of gender politics where Tennisons character shown as a successful woman is pigeonholed into an old lonely and unwanted career woman. Cavender and Jurik (2012) work will provide the framework to deconstruct the meanings and connotation in depiction of women in Law and Order SVU in relations to social norm.There has been a dramatic rise in representation of women detective in modern text whether be film or television which used to be dominated by men (Mizejewski, 2004). Whilst examining Jodie Fosters character Clarice on The Silence Of The Lambs, Mizejewski believes that traditional Hollywood cinema has been unconsciously organized along these lines men looking and taking action, women being looked at. The conventions of framing, lighting and alter in portrayal of women all play to these dynamics (p. 7). Tasker (2007) believes women representation has progressed tremendously in recent years with transformed and empowered gender equalitarianism however, there is still substandard issue. Gender is a key builder and differentiator of character in ensemble workplace dramas (Allen 2007, p 48) . The meticulous examination of Crime Scene Investigation (CSI) in breeding CSI by Michael Allen, a popular crime drama including the relationship of characters to their narratives and response of fans would provide great depth and widespread view which I can apply to Law and Order SVU during my research.1.3 Female HeroineGunter (1986) argues that women are represented in a stereotypical manner associating with the characters traits they typically exhibit. In comparison with men, their characters were subjugated by personal relationships and family issues. However, this began to change in the 1970s when women were portrayed in more dynamic roles. nickname (2010) believes that it wouldnt have been possible without Sigourney Weavers character Ellen Ripley in strange (1979) franchises which has become an avant-garde symbol. Ellen Ripley signified the first final girl archetype, a term coined by Carol J. clover in the book Men, Women and Chansaw Gender in the Modern Horror Film (199 2), who conquered and triumphed against an evil villain without any help or rescue from a man (p.98). Knight (2010) and Clover (1992) examinations of women representation would aid in decoding the signs in Law and OrderSVU. Anthony (2009) believes that the progression in women portrayal on television and films was because women had taken over the market and were able to acquire positions as Producers and Directors. Consequently, women were portrayed in more heroic roles which cancelled out the notion of women as victims, resulting in a positive ideological advance (p. 80).Innesss (2004) Action Chicks is a groundbreaking array of essays providing a new look at female action icons such as Xena, Buffy, Lara Croft and so on. These essays take a look at how recent depictions of women in action films, TV shows, comic books, and video games reflect a changing borrowing of women in traditionally male heroic or tough-guy roles. This highly specialized and scholarly study is suitable for my research and would enable me to view Law and Order SVU in different light. In order to analyze the representation of women in Law and Order SVU, I will construe if the women embody four essential constructing features which are body, attitude, action and authority in a tough hero (Innes, 1998). Brown (1996) has the same look of women portrayed as action heroes stating, female action heroines body is represented by using same codes as a male hero in regards to object and subject in action films (p. 56). Goodwill (2011) agrees with Browns account that new female action hero possesses positive masculine characteristic which were preserved for men only, breaking away from orthodox feminine attributes. With the conglutination of traits, earlier archetype of the hero has been amended in popular culture containing both masculine and feminine traits which will enable me to interpret female traits presented in Law and Order SVU.Hill (1999, p 38) states, action heroines are the new type o f protagonists in action genre who are smarter and tougher than conventional female heroines and even their male counterparts. This new breed of action heroines contravenes not only cinematic but cultural gender codes of women being subordinate and tangential characters and transform traditional cinematic depiction of women. Noble (1999) produces an innovative framework to create new epitome of heroism for women in her book The Sound of a Silver Horn Reclaiming the gallantry in modern-day Womens Lives. She puts forward certain qualities that a female hero should possess to transform her and the world such as strong-minded, valiant and a risk-taker. Harriss (2004) groundbreaking work would provide a framework for my research where she looks at intricate representation of girls in recent history. Siehlohrs (2000) anthology investigates generic codes used in gender in regards to national identity in European films. She also examines how representations of women are effectuate by pa rticular national milieu. This provides a baseline to investigate influences of societal factors on representation of women in Law and Order SVU. Hanson (2007) proposes alternative ways of viewing classic and contemporary Hollywood heroines and the associations of gender with genre. She investigates representation of women as investigator and heroine in the variable context of the film industry which will enable me to apply the same approach to my research. She confers meticulous attention to the production of narrative, actions and perception as well as negotiation of feminine self and desires across the past.Jaceys (2010) book about The Woman in the allegory Writing Memorable Female Characters would be of significant value on this topic. She states that by creating a heroine, the screenwriter has to consider all kinds of differences, from character development to gender issues in the development process. This would allow me dig deeper into the depiction of female characters on La w and Order SVU such as Olivia Bensons character as a Detective and Alexandra Cabot character as a District Attorney. According to Knight (2010), female action heroes extensively influence individuals in society and also reveal a lot about our society. Her analysis on female action here would help me understand Olivia Bensons character on Law and Order SVU as she is seen as a role model and a super heroine to a lot of women.Furthermore, I will examine Buffy which was a very popular show with very sharp and provocative commentaries on gender. In Undead TV, media studies scholars tackle the Buffy phenomenon and its many afterlives in popular culture, the television industry, the Internet, and schoolman criticism (Levine and Parks, 2007). Stuller (2010) illustrates the triumph of female hero in contemporary mythology which has zestful through male dominated environment and divulges into the crucial role of female crime fighters in popular culture.METHODOLOGYLitosseliti (2002) book on Gender, individuation and Discourse Analysis will provide me with the tools to employ discourse analysis to the media text for my research. I will conduct a discourse analysis on Law and Order SVU to find out why Olivia Benson is considered a positive role model. Benson has been taken up as a feminist icon by artists and bloggers because shes the type of person who triumphs over adversity, stands up against injustice, and neer blinks when shes staring down a bad guy. Furthermore, it will aid me in examining other female characters re-presented as victims and criminals. Research has shown that violence against women is a serious public health and human rights concern (World Health governance 2000) and that the concurrent presentation of women as sex objects and victims in various forms of media increases acceptance of violence against women (Malamuth, 1996). As television has the widest audience of any medium (Gunter Wober, 1992), it is of uttermost importance to have an improve d representation of women on television.I will draw primarily upon the discourse analysis of Law and Order SVU to examine the meanings behind the representations of women as victims to more positive and hopeful depictions. Marion (2008) argues that the contemporary portrayals of women within popular culture are shaped by two major trends the mainstreaming of pornography and its resultant hypersexualization of women and girls, and the commodification of those images for a global market. Wood (2000) book will provide both the practical steps for doing discourse analysis and the theoretical justifications for those steps. This book shows students how the social world revolves around talk and text. This book will aid in my research a great deal as it presents actual examples, covers data collection methods and strategies for data analysis, and addresses issues of reliability and validity.Tolsons (2006) book Media scold Spoken Discourse on TV and Radio investigates distinctive forms of negociate speech on TV and radio through discourse analysis. Media chew up is the first book to provide a comprehensive review of this burning(prenominal) work. Lorenzo-Duss (2008) Television Discourse examines the specific forms and structures of talk across media genres. This book will provide me an in-depth knowledge of the discourse analysis on TV as it examines four defining characteristics of the current broadcast landscape Storytelling, Closeness, Conflict and Persuasion. This would allow me to analyse the characters on Law and Order SVU and find out if they are portrayed positively or negatively. Even though the women on LO SVU are tough and strong, there are still some problematic issues in their representation. They are re-presented as victims or offenders in a lot of episodes. For example, Detective Olivia Benson is frequently victimized throughout the show, including her being stalked in Seasons 1 and 3, and more recently she is sexually assaulted while undercover in a prison. Furthermore, there were several suggestions in episodes on how the female detective pays a lot of attention to her appearance. An in-depth research would allow a more precise and comprehensive investigation on the topic.References You may optionally use Bibliography or Works CitedCavender, Gray , 1999. The Construction Of Gender In Reality Crime Tv. Journal Of Broadcasting Electronic Media , Volume 13, progeny 5, 643-663.Dobash, R. E., Dobash, R. (1998). Rethinking Violence Against Women. meter Oaks, Calif, Sage Publications.Dominick, Joseph R. , 2004. The Portrayal Of Women In Prime Time, 1953-1977. Sex Roles, Volume 5, human action 4, 405-411.DAcci, Julie, 1994. Defining Women Television and the Case of Cagney and Lacey. Edition. University of North Carolina count.DAcci, Julie, Brunsdon, Charlotte and Spigel, Lynn , 2007. Feminist Television Criticism A Reader. Edition. Open University Press.Douglas M. Snauffer, 2006. Crime Television (The Praeger Television Collec tion). Edition. Praeger.Elasmar, Michael, Hasegawa, Kazumi and Brain, Mary. 2009. The portrayal of women in U.S. prime time television. Journal of Broadcasting Electronic Media , Volume 43, Issue 1Gill, Rosalind Clair, 2007. Gender and the Media. 1 Edition. Polity.Gunter, Barrie And Wober, Mallory 1992. The Reactive Viewer Review Of Research On Audience Reaction Measurement (Independent Television Commission Research Monograph.). Edition. University Of Luton Press.Humphries, Drew. 2009. Women, Violence, and the Media Readings in Feminist Criminology (Northeastern Series on Gender, Crime, and Law). Edition. Northeastern.Ingham, H. (2007, December 18) The Portrayal of Women on Television. ONLINE Available at http//www.aber.ac.uk/media/Students/hzi9401.html. Accessed 18 March 2012.Inness, Sherrie A. 2004. Action Chicks New Images of uncollectible Women in pop Culture. First Edition Edition. Palgrave Macmillan.Jacey, Helen 2010. The Woman in the Story Writing Memorable Female Charact ers. Edition. Michael Wiese Productions.Knight, Gladys L. 2010. Female Action Heroes A clear to Women in Comics, Video Games, Film, and Television. Edition. GreenwoodLevine, Elana and Parks, Lisa. 2007. Undead TV Essays on Buffy the Vampire Slayer. 1st Edition. Duke University PressLorenzo-Dus, Nuria. 2008. Television Discourse Analysing Language in the Media. 1 Edition. Palgrave Macmillan.Litosseliti, Lia 2002. Gender individualism and Discourse Analysis (Discourse Approaches to Politics, Society, and Culture, 2). Edition. John Benjamins Pub Co.Magoulick, Mary, 2006. Frustrating Female Heroism Mixed Messages In Xena, Nikita, And Buffy. The Journal Of Popular Culture, Vol. 39, No. 5, 734.Malamuth, N. (1996). Sexually manifest Media, Gender Differences And Evolutionary Theory. Journal Of Communication, 46 (3), 8-31.Meyers, Marian 2008. Women In Popular Culture Representation And Meaning (Political Communication). Edition. Hampton Pr.Tolson, Andrew. 2006. Media splatter Spoken Dis course on TV and Radio. Edition. Edinburgh University Press.Wood, Linda A. 2000. Doing Discourse Analysis Methods for Studying Action in Talk and Text. 1 Edition. Sage Publications, IncBritto, Sarah, 2007. Does Special Mean Young, White and Female? Deconstructing the Meaning of Special in Law Order Special Victims Unit. Journal of malefactor Justice and Popular Culture, 14 (1), 40.Val Singh, Susan Vinnicombe, Kim James, (2006) Constructing a professional identity how young female managers use role models, Women In Management Review, Vol. 21 Iss 1, pp.67 81Brunsdon, Charlotte and Spigel, Lynn 2007. Feminist Television Criticism. 2 Edition. Open University Press.Green, Susan 2009. Law Order Special Victims Unit The Unofficial Companion. Edition. BenBella Books. Pp. 90Emmy. 2006. Mariska Hargitay. ONLINE Available at http//www.emmys.com/celebrities/mariska-hargitay. Accessed 10 March 13.Melanie, Dr Waters, 2011. Women on Screen Feminism and Femininity in Visual Culture. Edition. Pa lgrave Macmillan.Janet McCabe, 2005. Feminist Film Studies Writing the Woman into Cinema (Short Cuts). Edition. Wallflower Press.Laura Mulvey, 2009. Visual and Other Pleasures (Language, Discourse, Society). 2nd Edition. Palgrave Macmillan.Barthes, Roland. S/Z An Essay. Trans. Richard Miller. New York Hill and Wang, 1974.Ramanathan, Geetha 2007. Feminist Auteurs Reading Womens Films. Edition. Wallflower Press.Mulvey, Laura, Visual Pleasure and Narrative Cinema (1975),Visual And Other Pleasures. capital of the United Kingdom Macmillan, 1989 14-26.Laura Mulvey, 2009. Visual and Other Pleasures (Language, Discourse, Society). 2nd Edition. Palgrave Macmillan.Lauretis, Teresa de (1984) Alice Doesnt. Feminism. Semiotics. Cinema. Bloomington Indiana University Press,Sue Turnbull, 2013. The Crime Drama (TV Genres). Edition. Edinburgh University Press.Allen, Michael 2007. Reading CSI Crime TV Under the Microscope (Reading Contemporary Television). Edition. I. B. Tauris.Reddy, Maureen (1988). Sisters In Crime Feminism and Crime Novel. New York Continumm. ppLinda Mizejewski, 2004. Hardboiled and High Heeled The Woman Detective in Popular Culture. 1St Edition Edition. Routledge.Cavender, G., Jurik, N. (2007). Scene Composition